
The latest work for four guitars by the Miami-born musician and composer sounds like a history lesson in guitar technique to Bernie Brooks
This year, in our garden, we leaned hard into winter interest. Across the sixteen or so beds and borders in our small, suburban plot of land in Metro Detroit there are great, golden-brown bunches of bloodletting sawtoothed grass taller than me; dense knee-high rip curls of spent aster – under which a three-legged neighbourhood tabby cat overwintered; shocks of wheat and feathered grasses (less dangerous than their sawtoothed brethren). There are patterns and rhythms to all of this. The way stalks overlay stalks, the spirals of twined bundles made stubbornly strong to withstand cutting winter winds.
I am making…
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