
Francis Buseko looks at the brilliant diaristic album made in the fade of tragedy which, while once mired in controversy now resembles the work of a coherent artistic vision
One of the tragedies of Yoko Ono’s career is that she has so often been treated as a symbol before being taken seriously as an artist in her own right. Season Of Glass arrived at the moment when that symbolic weight threatened to become permanent. Released just seven months after the murder of John Lennon, Ono’s fifth studio album appeared at a time when the world seemed ready to define her forever through loss: as widow, survivor, keeper of memory. Instead, she does something characteristically Yoko Ono: she creates art from…
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