
Ahead of the first ever vinyl reissue of Djelika, Mary Chiney provides ten entry points into the work of the master kora player from Mali, tracing a lineage that stretches back 71 generations
The word “fusion” was an insult to Toumani Diabaté. Throughout his life, the maestro of the kora, the 21-string West African harp-lute, rejected the term with a polite but steely firmness. “Fusion means confusion,” he often told interviewers, his voice low-pitched gravel, possessed of a gravity that seemed to pull the room toward him. “I don’t do fusion. I do a meeting. When you meet someone, you talk to them. You don’t become them.”
This distinction is the key to unlocking the strange, sprawling, and intimidatingly beautiful world of Toumani…
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