
Emptyset
Dissever
Commissioned for Tate Modern’s Electric Dreams exhibition, Paul Purgas and James Ginzburg turn the building’s giant Turbine Hall into a buzzing, pulsating, resonant instrument
Dissever by emptyset
With the development of studio and recording equipment, the absence of errors resulting from physical media and their wear and tear allows producers to strive for perfection. Distortion, noise, and lack of precision can be quickly eliminated or corrected in post-production. The transition from the analogue to the digital world seemed like a one-way toward soundproofed, perfectly acoustically tuned spaces. CDs replaced the symbolic ‘dirt’ of vinyl, the creaking of tape, and then streaming – a form of perfect, repeatable sound reproduction. The market for audiophile equipment has grown, minimizing the risk of ‘loss’ of…
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To celebrate the publication of her new book, Sleeve Notes, photographer Dominique Russell takes us into the weird world of the many handmade record sleeves that have turned over the years at the record shop where her dad works
